BERLIN – With the release of US pop singer Billie Eilish’s new song (“No Time to Die”, the theme for the latest installment in the never-ending post-Cold War British intelligence services advert series), the young songsayer has been again courting controversy by not knowing things as she makes the rounds on the talk show circuits of European countries.
Having already alienated all the “Boomers” in the band’s native Netherlands due to her lack of familiarity with Van Halen, Eilish arrived in Germany this week only to find her knowledge of formal logic and philosophy under scrutiny in the homeland of Hegel:
“You haven’t read Die bewußte Anwendung der dialektischen Methode auf dem Niveau der Lehre von der Denkweise?” asked the incredulous Bremen-based late-night talk show host James Kümmel, in a clearly visible state of shock during Eilish’s appearance on the former’s Thursday night show.
“I’ve never even heard of it!” laughed the singer, to gasps from the audience.
“It’s a classic short work by the Maoist theoretician Stefan Engel, of the MLPD. How old are you?” asked Kümmel, checking his notes.
“I was born in 2001, I’m 18!” laughed Eilish. “The only Maoist I read is JMP!”
“Oh God, you’re younger than the text! I feel so old! Don’t you feel extremely old, folks?” asked Kümmel to the audience, who laughed uproariously, but in that German way, where you have to stop chuckling every few seconds to say “ja, natürlich”.
Other public appearances by Eilish were marked by a similar culture clash between the Land of No Theory and the Land of The Appropriate Amount of Theory. During a daytime performance on Friday, Eilish made a joking reference to the synthesiser on stage as being “constructed through the Hegelian dialectic by attaching an antithesiser to a thesiser”, provoking a heckler to begin shouting: “that’s Fichte! Stop attributing Fichtean logic to Hegel, Yanks!” over and over again until they were escorted from the premises by security.
Eilish’s young age and theoretical naïveté leave her particularly vulnerable to ontological bullying in a country where every secondary school student is required to write a philosophically grounded defence of the rational core of Christianity or similarly grounded criticism of one of the same to be allowed to graduate. Outside of a scheduled performance in Hamburg this weekend, a picket is to take place by an LGBT+ group who condemn Eilish’s discography for “failure to meaningfully engage with Hocquenghem’s central claims”. In solidarity, local Worker’s Spatula cadres will be joining the picket and passing out literature condemning Leon Trotsky.
Eilish’s management company, The Darkroom, have released a statement attempting to calm German outrage at the singer:
To the German press and public opinion,
Although we understand that it is not the case in Germany, in most cultures, youth is a time of impetuousness and irreverence towards authority and tradition. Billie Eilish can hardly be blamed for her ignorance, an understandable consequence of coming from the most anti-intellectual country on Earth and being born into a generation where hope is a fast-dying flame which we ourselves are extinguishing by profiting off of the despairing alienation which her entire generation is slowly resigning itself to.
We wish to assure the German public that Billie Eilish means no offence by not having an opinion on Kant’s religiosity, or the causes of the collapse of the Weimar Republic, or what a “World War II” is. She is simply too young in our culture to know things, and frankly, if it is up to us and all other gatekeepers of socially normative “alternative” culture, no young people would ever know a single new thing not necessary for commodity production and exchange.
However, as sale of Billie Eilish’s music is especially important in our digital era, it is very important to us that Billie Eilish know harmless things which will allow German people to purchase the alienated product of her labour and the labour of all those involved in the production of her music in its objectified commodity form.
Accordingly, we promise that throughout 2020, she and her brother and musical partner Finneas will sit down together to read Slavoj Žižek’s The Puppet and the Dwarf: The Perverse Core of Christianity, so that she can do rudimentary interviews for German television in the manner you people expect.
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